A break with tradition…

That is, these are not from my daily load of shots of Grand Central/details on buildings/blurry shots taken from some moving vehicle/people’s feet. These were taken with the Canon AE-1 all manual fun fun fun camera of wonder.

I was going to keep these under wraps until I was ready, but I realized that there are shots I really like and want to share them with people. Or, should I say person. Well, ok, people.

You gotta click on these to get the full effect. They are coming across small. I don’t know why.

Enough with the blah blahs, here is the work:

I was going for an Alfred Stieglitz/Georgia O’Keefe 1930’s in Mexico kind of feel. I loved the shadows in it and the sort of off-ness of the whole composition. Some disagreed, but a friend reminded me that photography is very personal.

Here is a photograph that I think is ok, but a lot of people like:

And the pièce de résistance:

As soon as I saw this tree, I knew this was going to be special. I walked around it and took a scant three shots at an f8 and an f11. I like the small apertures because I like my photos dark. Ok, photography lesson over.

The Olympics of the photo manipulation

I used to not alter my photos because, well, they were always perfect. Yeah. Right. I had neither a computer, a digital camera or the patience to do all of that. But now that I have some time on my hands and a little more patience, I’ve decided to post several versions of the same photo for me to see which one I like best and of course, which one my HUGE reading public likes. By HUGE I mean all three of you.

This is a picture I took on the T, public transportation in Boston. I know, right? Natalia on public transportation, but stranger things have happened.

Anyway, here goes:

I think its a nice photo, but its missing that extra special something. Ok, here it is cropped:

Cropped more and in sepia, an old favorite of mine:

Cropped even more, black and white:

Cropped even more, in sepia:

To all you haters out there, I can take pictures, see?

Monoliths or immitating the greats?

Another altered photo from my post work motor drivin’. Yes, the little square on the photo is the light from the inside of the train. Well, I can’t say I am not immitating someone again. This time its Margaret Bourke-White. You have to click on it because the thumb nail doesn’t really give you the full effect.